energetic art
Characteristic of her unique works is the combination of visual aesthetics with spiritual healing, - and energy work - this forms the basis of her art.
The working process….
Concrete is applied to the canvases in several layers. Once the concrete has dried and hardened, the pre phase of the energy basis begins.
Liquid high-carat gold or silver is shot into the concrete surface. Despite no dramaturgy, the result is a self-contained work that takes the lead, reminiscent of planetary surfaces. When the precious metal is solidified, the next and most important phase begins. Now the pure energy work starts and brings the forces together to unleash their full shared power. Casha filled and flooded the essence with energy, henceforth exists transformed into an active field.
Her work imbues with renewed strength that is tangible at a soul level, and positively stimulates the intricate working of our lives. This power continues in the living spaces of the people who surround themselves with these special works.
Casha Kellermann´s Artwork is less focused on achieving a particular outcome, rather remaining open to what wants to transpire, what emerges. internally as much as externally. Without motive and responsive only to the moment. The sculptural concrete works consists of large format canvases. start at a size of the canvas from length 1 meter up to 3 meters.
architecture of power
Her work is not just about achieving something specific, but about remaining open to what wants to happen on its own. Inside and outside, intentionless and open for the moment. What then takes place in the silent ground of our being as a direct reaction is the source of our healing power, the ordering energy of life itself, the striving for balance and harmony inherent in human DNA.
Art as a trigger and transmitter, whose vibrational energies are immediately and tangibly transmitted to the human body and enter into symbiotic resonance with the viewer. A tangible reaction process, supported by the deliberately chosen materials silver and gold, because these precious metals have the greatest conductivity of molecular energy and transmit the charged forces directly...
Supposed opposites unite to a symbiosis, result in a shaping of forces, strengthened by the charging of the particularly conductive precious metals such as 24 carat gold, bronze or sterling silver and the knowledge of effective healing art to increase the well-being with the goal of healing and connection to the universal life energy.
The use of the energetic precious metals in combination with the of frozen fluidity of the concrete, bring a powerful sense of clarity and exclusivity – values particulary cherished by her circles of clients.
Casha Kellermann´s Artwork is less focused on achieving a particular outcome, rather remaining open to what wants to transpire, what emerges. internally as much as externally. Without motive and responsive only to the moment. The sculptural concrete works consists of large format canvases. start at a size of the canvas from length 1 meter up to 3 meters.
The artist is already in the collection of giants of industry, business and finance. Also, Rockstars and numerous VIPs collect her work.
Her concrete artworks are sold worldwide and shown regulary in exhibitions and events.
CASHA
from the point of view of...
Elmar Goerden
Director, Theatre Director, Theater i.d Josefstadt, Vienna, Bochum, Berlin, Residenztheater Munich
https://de.wikipedia.org/wiki/Elmar_Goerden
Casha! What reads as if one were trying to capture a secret in a magic formula is actually a name. The maiden name of a woman that only someone with a lot of imagination could invent. Casha, however, has invented herself, absorbing as many realities as the places where she has lived and worked. Morocco, Mauritius, India, America, Israel, Austria, Germany, as different as all these countries, cultures, languages may be, they all converge in one place: the now.
That is where Casha has always lived, with deep roots and light luggage. Always on a journey to herself and the people around her. Because she obviously understood, lived and loved this early on: the I only comes to itself in the You. That is why Casha's life has always been art. Art of communication, of sensual understanding between people. Whether in language, in music, in pictures, objects, the visible, the invisible.
Her canvas works are light - are peace - and silence.
Everything she does makes you want to find your inner self.
The desire for things never became a desire for possession. Rather, it became a joy in the fact that thoughts and feelings can take on a form, a shape, and thus become communicable.
Design is a simple word for this metamorphosis of energy and spirit into something that can be sensually perceived. To be able to do this is not a craft or a talent, it is not a design or a brand. It is a gift.
As contradictory as materials such as concrete and gold, platinum and silver may seem, in Casha's art it is precisely from these contrasts that the essence emerges: the tension of transcendence.
Apparent opposites merge into an interplay of forces in which the rigidity of customary orders is almost danced out of existence. Light and heavy, precious and rough, smooth and rough, become a third that has no name, but certainly conveys a feeling. "...and the world begins to sing, if only you hit the magic word".
Casha takes the Romantics at their word in her work and gives us back something that we can put to good use with all our attachment to the real: A sense of possibility and the hope of lightness. But above all, trust in life.
For all their naturalness in dealing with spirit and energy, their works never disappear into the nebulousness of esotericism. Nor do they submit to the senseless tempo dictates of the zeitgeist and its noisy sales obsession. For for all their aesthetic refinement, the polished surfaces seal a secret that can be felt but not deciphered. They are entirely themselves, grounded and self-confident. Perhaps one should try this thought with Casha's jewellery:
Couldn't it be that we didn't choose this picture, this ring, this necklace, this bracelet, but the other way round? Then we would be the chosen ones. And accordingly we should start to live like that.
CASHA
from the point of view...
of the media
The press wrote: " The International leadership from the top of technology and business are her clients. They buy her images and let her raise them energetically to 100% potential with healing codes. They steer multi million companies and carry great responsibility, but here they meet their own inner guidance including spiritual development. For a few people who find their way to her, according to the cosmopolitan resident of Munich, she does Touch On Sessions - comparable to the classical laying on of hands, the most widespread form of spiritual healing to date.
She is a nomad between worlds. She has lived in India, Morocco, Israel, Mauritius, the USA and Austria. Early on she learned tolerance, adaptability and flexibility, but above all cosmopolitanism. The father ambassador - childhood - every two years another place, another country. She became a cosmopolitan in body and soul."
Her love of music and talent for writing brought her into the international music scene while still studying at the Academy of Fine Arts. There she quickly made a name for herself as a successful composer, but above all as a lyricist. During a very glamorous life around the globe, she wrote more than 500 song lyrics, including many chart successes, for well-known artists at home and abroad. But she was also a source of inspiration and a muse full of ideas for well-known artists in her professionally very eventful environment.
In her private life, too, the partners at her side can be described as very different, but mostly eccentric and well-known artists. Among them are Falco, David Bowie, Sven Väth, George Condo, Peter Schilling. The greats of the international art and music scene are among her closest friends.
She is the mother of two children. She lives and works in Munich and Ibiza with her daughter Moon (13) and her son Diami (14).